Mitchell Museum of the American Indian

The behemoth museums that regularly have dazzling new exhibits and thousands of visitors each year are of course fun! The Field Museum here in Chicago has a very special place in my heart (I’m especially nuts about their permanent insect exhibit). Lately however, when taking the opportunity to go to a museum, I’m leaning toward the smaller gems…such as Evanston’s Mitchell Museum of the American Indian!

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I took a pleasant bike ride over to this informative and precious museum this week and toured it in about 45 minutes. If I’d read more of the plaques that shared all of the history of each piece, it would have taken a little longer to get around…

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So what did I enjoy? First, the beadwork. Have you ever felt beadwork in your hands? The cool, slinky weight of it is so different from anything else.

Glass beads were first introduced to American Indians by European settlers. Before that, the use of bone, porcupine quills, shells and seeds were more common for decoration.

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Papoose! I was struck by these. I stood staring at them imagining a more natural life out-of-doors with a baby on my hip and no crib or fancy stroller. These hearty women strapped in their plump-cheeked cuties and went about their work.

What I really found interesting is that these weren’t meant to just wear on the back or prop up against a tree. They could also be tied higher up on a post of a dwelling, or to the side of a horse. Can you imagine being a little dude in a papoose riding on the side of your mother’s horse through the plains? What an adventure!

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I really liked the art pieces that depicted different American Indian cultures throughout the U.S. Sadly, movies (and especially old westerns) aren’t regularly true to history (and are even stereotypical and offensive) about native American culture. It’s important to visit museums to view precious collections (like this one) and learn the real history. Illustrations like these were an extra boost, giving me a better idea of how differently people lived depending on climate and region. These would be especially good for kids to check out!

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I delighted in these weaved pieces. I’m so used to seeing thick weaved baskets, that the teeny-tiny weave on some of these had me wondering how they did that. No little grains or treasures have a chance of escape from one of those. Incredible!

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This photo is for you jewelry/turquoise lovers. Ogle away!

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I swooned over the dolls, which like the paintings, illustrated daily life. I thought they were very special!

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And so cool…goggles made from leather! I learned that hunters needed these to help with the intense glare of sunlight projecting off of the freezing white landscape in our blustery northern region. I grinned back at the man in that photo!

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Thank you to all of the people who work so hard and with such great care to bring us such wonderful displays of history. Everything you do is appreciated and important!

For those folks who live in or are visiting Chicago’s North Shore, fit a visit in for this gem! And for everyone else, don’t forget to check out those smaller exhibits in your local community! I find that they offer such excellent and selective displays on individual histories and topics. What a treat!

Fur For Fleas

It’s fun to be wrong, at least when it comes to research. It allows you to be surprised, delighted and to learn new things!

Having always loved history, costuming and even participating in Renaissance re-enactment, there were ‘facts’ that I’ve never questioned. Learned people told me so, and I’d read so, so it must be true! Well that isn’t always the case. Take the flea fur…

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Oh heavens, look at those pearls! I digress. (If you love pearls as much as I do, don’t forget about Inspired by Venice‘s pearl earrings giveaway!)

Above is Isabella de’Medici (Italian), from 1558. At her side, you can see a special accessory. It is a zibellino or flea fur, adorned with gems.

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And here is Bianca Ponzoni Anguissola (Italian), 1557. She too has a flea fur, gilded, a head of gold, gems for eyes.

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And here, a flea fur at the collar of this woman (England, mid-1500’s).

You can find many, many portraits of nobles and their flea furs. Of course, people have been wearing furs for forever. But this particular way of wearing them (perhaps for looks, and displaying their riches) is noticed starting in the mid-late 1400’s.

I had always read, and been told, that the flea fur also had a practical purpose. It was to attract biting fleas from off of bodies. Even nobles crawled with fleas, money meant nothing when these creatures infested bedding, infrequently washed clothing, pets, etc. Nobles were said to place these furs on their person, so that the fleas would gather on the fur and then they could shake them, or beat them out.

Makes sense, only, it isn’t true. It was first surmised that this was the purpose for the pelts in the 1890’s, though no evidence has shown that the flea fur was anything but an accessory.

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Another noble lady holding her fur, Italy 1515. It’s fascinating how easily fiction becomes fact, this particular one developing in the late 19th century, and still a misdirected belief today. It reminds me to be careful to not take what people write or say, to be truth (even though in this case, I want to believe it!). Flea furs, held in the hand, hanging from the waist, laying over the shoulder, pinned to the breast, were just a vain display.

Oh well. I can still imagine this noble lady, frustrated with fleas, running outside to fling her flea fur about. Fiction perhaps, but amusing!

Pearl Earrings Giveaway Part III.

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First an excerpt from Veleno…a terrible tale, soon to come!

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Standing before her, he held out a large mollusk, far more generous in size than the ones they regularly ate. It was a fine catch, a basket of those would fetch an excellent price, especially on a feast day when the noble houses were entertaining guests and wanted to impress. Pulling a sharp knife from his belt, he sliced between the shells and carefully pried the animal open, discarding the top of the creature’s case to a table. Skilled, he swiftly cut beneath the meat and detached its membrane to make it easier to consume. He smiled once more and carefully handed over the plump, briny offering. Mafalda was embarrassed, the oyster was rather big and she felt hesitant to swallow it before Baldovino. Oysters were said to cause passions in the eaters; she was certain he knew that. As well he stood closely enough that she swore she could feel the heat radiating from his body, though it could have just been the kitchen blaze. He watched her expectantly, almost eagerly, standing tall enough to look over her. She wanted to move away, but only far enough so that she could spy on this man unnoticed; he was very desirable. He wiped the knife in his alternate hand upon a rag hanging at his hip and slipped it back into his belt.

Tentatively accepting the halved shell, the size of which completely engulfed her hand, she looked meekly up at Baldovino and then slowly brought the shell closer to her lips. Just as she was about to tilt the creature’s vessel up to slide the oyster into her mouth, he whispered for her to wait. She paused short and her eyes grew large. She began to blush. Why had he stopped her? She didn’t want to prolong this. Martinella would be back soon, or Tonia might catch an eyeful of the two and Mafalda felt that the man was standing too close, too familiarly. Carefully taking back the shell from her, he again pulled out his knife and scrapped gingerly at the flesh, quickly exposing a large and glistening white orb. It was a pearl, a very large pearl.

Today’s the day, the day for a pearl earrings giveaway! As you know, I’m nuts about pearls! Renaissance Venetians were too, such as the noble lady Mafalda in my soon to come Veleno…one terrible tale! You can check out Inspired by Venice‘s past pearl giveaways here and here.

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These delightful fresh water pearls are drop shaped, and white-yellow-peach depending on the light. Dainty and so lovely! These sweet earrings are by Brenda Duncan of The Black Pearl, purchased at the Bristol Renaissance Faire!

To enter the giveaway, get your imaginations brewing and write a sentence or two to describe what happened next after the pearl was discovered in Veleno‘s excerpt above. Write it in the comments! Does Mafalda gasp and greedily snatch the pearl right out of the oyster? Does Baldovino get called away, leaving the gift on the table for her to discretely take? Does she tell him she prefers diamonds? Does a kitchen maid accidentally spill something on them both, tripping as she walks by, and they all laugh? Be funny, or romantic (keep it classy), silly or serious…it’s for fun!

I’ll choose a winner at random from the entries, one week from today (on Monday, March 7th, 2016 at 9:00am Chicago time) and will announce the winner here! Please share news of the giveaway; the more fun entries there are, the merrier for all!

Here’s to smiles and laughs, good stories, and pearls of happiness in each and every day! Enjoy your adventure today!

Pearl Earrings Giveaway II.

It’s December 1st! It’s the season of cheer! It’s the season of giving! I woke up this morning with a smile on my face before I had my coffee…I’m off to a good start! The sun just came out of those dim, sad clouds here in Evanston and the cardinals are flitting about in their red glory!

It’s a beautiful day, a day for a giveaway!!

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Pearls are my favorite adornment, I wear them almost every day. I think pearls are beautiful. Pearls are precious and perfect and so unique in many ways!

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Today I am giving away these precious beauties! Sterling silver, freshwater drop pearls (pink-gold color) by Brenda Duncan of The Black Pearl, purchased at the Bristol Renaissance Faire.

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To enter the pearl earrings giveaway, write one thing that makes you smile in the comments! A random winner will be selected this Friday, December 4th, 9am (Chicago time) and I’ll announce the winner here on Inspired By Venice.

*Fun fact!!! Did you know that all mollusks can produce pearls? And did you know that octopus and escargot snails, mussels, squid, slugs and scallops are all mollusks? It’s true! Check out this octopus pearl!

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Coconut Octopus

*Photo from wikipedia, found here. This handsome little dude carries around shells and coconut shells for protection, very smart!

Taking Inventory

Today I am pondering things. As I finish writing Veleno, a thought has me curious…would the 16th century characters in my novel react the same way to their things as I do with my own in the 21st century? The answer is no, which changes the way I need to write about them and their relationship with their stuff.

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There is this scene I recall in the 2003 film Girl with a Pearl Earring. The movie is an artful rendering of Dutch artist Johannes Vermeer’s life at the time when he painted Girl with a Pearl Earring in the 1660s. Now, we aren’t sure who the ‘girl’ in the painting really was, some say one of Vermeer’s 15 children. But for the film, it is portrayed in a romantic way to be one of his household servants.

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The scene that struck me entailed Vermeer’s wife Catharina discovering that her husband allowed said servant to wear her pearl earring to pose for this famous painting. Catharina freaks out in an almost animal-like breakdown before her husband. It was an uncomfortable scene that had me wondering…why would she flip out like that? Goodness woman, it’s just an earring! Your husband just borrowed it for his work, which provides your house income!

Now, the actress or director may have been simply illustrating marital jealousy. But I think they were showing us both jealousy and a historically real reaction someone may have had about their things.

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As a voracious reader of history, I’m continually discovering how precious, status bearing and sacred personal and household items were for people in previous centuries. Common sense would say that the reason for this is that you couldn’t come by more things all that easily (no chain stores offering cheap deals), and that money was harder to secure.

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The real-life Catharina during the 17th century would have had the role of manager of her house. Part of the job was to keep precise inventory of all household belongings. And there would have been far stricter rules about who could use what, many things kept locked up. She’d have been proud and serious about maintaining all boundaries. Plus, ladies of elevated social status didn’t (or legally were not permitted to) earn their own money. She’d be pretty careful with what she personally owned.

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Catharina wouldn’t have left her pearls out. She wouldn’t have had many pairs. She would have considered that pair precious and would have ensured it was kept somewhere safe. She would have cared for them, and just owning them would have been lifting to her status…after all, few people could afford pearls and owning them showed her importance.

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Though we do see plenty of wealth from history’s aristocrats, I think when we look back in time, we don’t realize how few and far between those cases of utter riches were. When you think of 15th century England, do you imagine knights, lords and ladies? The truth was that it was peasants, peasants and more peasants owning no valuable possessions at all. And even if you had more than others, you still took care of and coveted what you had because that was the culture of the time. It wasn’t just fine gems and good furniture that folks kept a careful eye on either, it was all of their things. Again and again, I trip over inventory lists in my readings. And on those lists are written even the smallest, most mundane things, whether brand-new or used. When was the last time you wrote a list like that? I never have. Why not now…

Michelle’s Inventory:

1 pair $4.99 pharmacy eyeglasses, red plastic rims, scratched in left eye.

1 orange hairbrush, used, a patch of bristles missing.

1 pink toothbrush, used.

2 pair black cotton winter gloves, used, hole in pinky on one.

1 pair brown leather boots, new.

3 decorative cheese plates, chipped.

6 copies of Venice, new.

1 wooden writing desk chair, broken legs.

Tiddo’s (the cat) Inventory:

1 catnip stuffed mouse toy, used.

2 grey cat boxes, used.

1 feather-on-a-stick toy, used.

1 window stool covered in cheetah print faux velvet fabric, used.

Now imagine I kept this list around, and routinely checked if I have what I’m supposed to have and kept my list updated. Everyone would think that I was a weirdo or miserly, or that I seriously have nothing better to do and needed to find a hobby. But in history, my lack of record-keeping would be considered lazy and I, careless for not having higher regard for my things.

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This didn’t make them miserly however, it was simply normal and good economy and often a lifesaver. Take for instance Renaissance Venice. [Noblewoman gets married and brings along a portion of wealth with her to the marriage. She cannot legally get a job to earn money. Her husband turns out to be abusive and she is granted a divorce. She can take back what she brought to the marriage and is free to keep it to live on.] This is a good example of why even the quantity of the used linen handkerchiefs she owned, mattered. It could make a difference for her survival.

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When reading Casanova’s memoirs, I was baffled to see how often he sold his personal goods to survive from one day to the next. Today, when we trot down to the pawnshop, it is interpreted as humiliating desperation. But back in Casanova’s time, you could resell your belongings for far better returns than you get for used goods today (again because the value of goods was taken more seriously), and it was common, and it was what you did. You wouldn’t throw away a soiled hanky or an undershirt the way we would today, even the worst items were sold to a rag-gatherer.

I’d bet if most of us had a conversation with even our grandparents about reuse, caring for our things, fixing our things, spending, etc., we’d see a generational juxtaposition on this topic. Now imagine the shock someone from some centuries ago, would express at our general waste. My guess is that they’d also be far more territorial over their personal possessions, and for good reason.

This last spring, I lost a gold band set with a pearl and two diamonds. I took it off to wash my hands and left it in my pocket with some tissue. I then forgot and threw away the tissue with the ring (or so is my best guess). I can see Vermeer’s wife Catharina right now. I was very disappointed, but I could see her having an epic outburst over the loss. I don’t think I could get away with that…

Forbidden Fashions by Isabella Campagnol

A woman’s clothing, how she adorns herself, the makeup she wears, and her hairstyle…these things eternally hold very deep symbolism all the world over. It is often something that is controlled for the sake of modesty, honor and religious piety. What women wear, how they look, is the world’s obsession. It communicates whether she is of means or no, what she thinks about herself, what she wants others to think about her. It speaks of her personality and her beliefs. It speaks of a great many things.

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Isabella Campagnol offers us an incredible front row seat into what clothing and adornments meant for women in Venetian nunneries in her invaluable scholarly work: Forbidden Fashions: Invisible Luxuries in Early Venetian Convents.

Venice (as with all of Europe) placed ladies into nunneries for centuries. You can read about it in my book Venice, as well as my other posts (Virgins in Venice by Mary Laven and Naughty Nunnery Parlors). Noble parents might have birthed 7 noble daughters, but inflated dowries meant only one, perhaps two of them could make an excellent match. The rest went into enclosure…forced, beaten, tricked, guilted into going. Yes, of course some went willingly and wanted this pious life. But most didn’t. Being a very young woman sent into a nunnery, to spend the rest of your life there completely closed off from the world, was a horrifying fate for many. And nothing could stop them from having worldly desires.

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As we see in Campagnol’s book, just because you’ve lost your worldly freedom doesn’t mean you’re going to follow the rules; Venice’s noblewomen broke them, again and again and again. From curling and showing ones tresses when they were to keep their hair completely covered, to transparent fabrics where solid ones should be, to hiding, coveting and wearing gems and adornments when these items were forbidden, to smuggling in or making and wearing every sort of item out of luxurious fabrics that were not allowed. Noble nuns even found ways to dye their hair in secret, wore makeup and furs. They wanted beauty, individuality, status, comforts, and freedom. Despite confiscations, punishments and shunning, the enclosed women pushed back.

Campagnol also shows us another side to the equation…a great many women who being disposed of, were left destitute of their basic clothing and linen needs. Once having lived in a comfortable world, they were now forgotten and left to suffer without a great many items, their urgent letters and requests falling on deaf family ears.

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Campagnol’s book is an eye-opening treasure. Undressing countless archives for the fashion facts, she gives us a glimpse into the sometimes dazzling yet often cruel world that many women experienced behind the veil.