Pretty in Paisley

Lita and I are known to have long, animated conversations about costumes, history, and a variety of topics that fall within. We reference period films, look at printouts of centuries old paintings and discuss costumes we’ve seen here and there. And so, for each of her creations, we have a name for it so that parts of them can be easily referenced. This one is the paisley dress.

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These images were taken when I was 16, in the backyard taking a stroll. We named it the paisley dress because of the pattern in the bodice and forepart (which in these photos is tied up the front).

For an Elizabethan dress, an ornate forepart would be seen at a downward V at the front. However, how useful to be able to tie up the overskirt to save the fine forepart from damage in inclement weather!

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This was one of her first Elizabethan gowns, and though not worn with any frequency, found its way out of doors on a number of occasions. The farthingale was slight and we were not using a bumroll, so the silhouette was natural.

I absolutely adored the flaps of fabric at the bottom of the bodice, which gave it such a crisp look. The bodice was firmly made and the fabric itself was a striking gold and maroon.

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Of course, I felt like quite the lady! Nothing better than sauntering around the yard in a gown. I’m not embarrassed to say, I’ve done it a great many times.

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Lita was making me laugh, she always does. Over the years, she’s made it difficult to keep a straight face when it was most appropriate to do so. But what is life if you don’t laugh, and often!

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I don’t think my bangs were the appropriate hairstyle for the Elizabethan period, but they sure were when I was 16! Ah, costume nostalgia…think I’ll drive over and dig through Lita’s costume room, take another twirl in the yard. Oh wait, it’s only 7 degrees outside…that stroll may have to wait!

The Costumer, The Artist, The Inspiration

My mother is a very talented costumer and artist. I’ve had the great fortune of watching her sew all of my years, and being able to wear some dozens of her creations: just for fun, in theatricals, and for historic reenactment. And though I am going to share a great many photos of her spectacular works on Inspired by Venice, I wanted you to first, meet the artist!

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This is Lita, my precious mother and best friend! Here she is wearing one of her own 18th century style day dresses in Venice during the Carnival.

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She wore a silk hair net covered in gold corded weave, with a gold mask and veil. The Venetian Carnevale tends to run at the end of January through the start of February, so it can be pretty chilly. Thankfully the sun shone beautifully that day, so a shawl and hand muff kept her warm enough while we took a stroll.

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We soaked in the sun with coffee in Piazza San Marco. The air was crisp and fresh, with a hint of the sea.

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On another sunny walk, she wore this piece, covered by a beautiful cape. If I’d had the sense, I would have gotten some closer photos so that one could really see some of the detail; the perfect pleated fabric over the small hip panniers, the feathered headpiece and veil, the lace at the elbows.

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Even now, I remember what it felt like to be able to walk about the city of Venice in costume (this excursion was in 2005). For me, it is the ultimate excitement to pretend for a moment that I’m visiting the 18th century and going about my business. For every occasion that I could actually wear a costume in public and ponder what it might have been like to live in another time, it is such a treat!

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Though we’d traditionally have worn a mask at all times, we sometimes went without. Our Carnival visit was also a tour of Venice, and we wanted to see everything (which a mask can sometimes hamper). I had a particular thing for veils at the time. But next time, I’m going to wear an enormous pompadour and a glitzy mask! We kept things very simple; Lita’s designs allowed us to walk about the city and enjoy the cafes without cumbersome costumes.

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We paced slowly over bridges and down lanes, peered in windows and walked by the lagoon. We laughed a lot and chattered like birds. It is rare to have the time of loved ones all to yourself for a whole week, it was lovely!

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We enjoyed each other’s company to the fullest in the midst of a mesmerizing Carnival and one beloved city. If it hadn’t been for this beautiful artist, who makes every part of the costumes I’m going to share with you (often even the jewelry), I would never have been inspired about history the way that I am, and I would never have written Venice.

Venice is dedicated to Lita, for being such a patient and generous person who taught me to be creative, be joyful, and to be inspired! Thank you!